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He later suggests the use of a solo stop with for the melody in section B 8' flute with principal, Cornet or Oboe. Therefore, the contrast between the two sections by using different registrations is another way to help determine the form.

The transitions in this prelude also point out the contrasts between each section. For example, at measures 38,40 and 42, the right hand plays triplets figures similar to written out trills. These are the closing gestures of the A Section. At the same time, the F on the final eighth note at bar 42 and G on the next measure, changes the mode into lydian toward the B Section.

Measure have the same type of closing gesture. Another type of transition between sections happens at measure The left hand plays the extended melody from the B section.

This restatement serves as the closing gesture of Section B. The descending line finally arrives at low C. The fermata on the rests at measure 63 and 65, especially the second one, are the rhetorical gestures13 which marks the end of the B Section before the recapitulation of Section A. The same thing happens again on page 14, measure after the written-out ritardando. After the first recapitulation of Section A, there is a juxtaposed series of very short fragments starting at bar During these alterations, the changes of modes happens every four measures.

This happens at measure , as there is rapid contrast between the triplet figures of the left hand and the French six chords in right hand.

In , Debussy wrote a letter to his publisher, pointing out an important aspect of the musical revolution happened around the twentieth century. He arranged and combined the two subjects based on their contrasting character. He compsed the fugue with his own color and sense of time that he presented in the prelude.. Subject 2 This fugue has two subjects and the second subject is derived from the counter subject of the first one.

The Subject 1 is a delicate eighth-notes figure slowly moving upward which spells out Alain's name. On the other hand, Subject 2 id made of a sixteenth-notes figure moving down. Jewish Studies and Adolf Neubauer. Jewish Studies. Canon S. Adolf Neubauer and A.

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